Class 13: Four long lines in a recursive structure (№ 279–287)

The last class to be considered includes a few Karachay tunes whose recursive (domed) structure suggests that they constitute a more recent style (Ex.13). I arranged the tunes by cadences (№ 279–287). I am going to embark on this structure in more detail in the chapter on analogies between Karachay and Hungarian folk music.

Ex.13. Four long lines with domed structure and V(5)b3 cadences